71. Cold Earth – Sarah Moss
What if the archaeological dig is haunted? By personal failure? Could you dig it? Or, as is more accurate in terms of this book, can you make it? As in survive on classic novels, crackers, and sad noodles? While still pretending that your excavation matters? Can you listen to the jackass who didn’t check to see if the satellite phone they brought even works tell you not to “disturb the site” while you are developing scary symptoms of being deathly cold and it has a shelter?
I’m asking many questions, but many questions are raised by this book – especially at the end. It is a bit of a confusing ending and I can’t tell if I felt like it was rushed or if it was just too optimistic when throughout the book they keep mentioning a virus that’s spreading in not-remote Greenland areas. It seemed like when the internet went down whole hog that virus might be way more than just something to stoke their isolated paranoia.
Also, to establish my baseline for how reading this felt, Nina was soooo annoying, and she’s both the voice allowed the most space and the main one hearing and seeing ghosts. AND she’s not even an archaeologist or an anthro student, so, somehow, she wins the annoying olympics without bringing much expertise. I mean, she has expertise, but a lot of it is about food – which is not helpful on a remote dig when the “food” is dwindling. But I’m definitely not on Ruth’s super-bitch side either, or Iowan Jim’s (nope, he’s not a similar Iowan to me, he had like no fight in him), or optimistically painting terrified Catriona’s, or agreeable Ben’s, definitely not Mr. Lack of Preparation/Don’t Touch That Turf Mr. Yianni’s. I am on the side of the sheep who kept randomly bothering them. Those sheep were on to something about the intersection of curiosity and knowing your limits. I need to know if that virus was zoonotic in case the sheep didn’t make it.
Ozma and Peregrine demonstrate their work methods in this dramatic recreation of an archaeological dig on the couch. When you find “bones,” put your little teefs on them.
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Tomorrow, I will be at Walker Stalker in Chicago! Tomorrow.
And this time, I am also planning on showing how my book cover parodies have become far more plentiful than they used to be. In the beginning, it was just Danger Crumples transforming Christopher Pike’s 1990s YA output, as seen here –
I do think with Danger Crumples I may actually have parodied these covers into being more coherent stories. Oops.
However, now that most of these are only available as postcards and I had more plays on piggie names in mind – more pigs have gotten their own book series and three of the paintings will be on display for the first time and also possibly the last time, I tend to make new things for every show that I do because I have a lot of ideas and very inspiring piglets.
Peregrine, crime boss and queen of my herd, finally got her own book series – Prey Street. And once again she meets with her most frightening enemy – the phone. This time she let Merricat pick it up, as if that would help.
Finny got a series too! Finnybumps, it’s very specific and allows him to intimidate Salem, just as he tries to from across the room every day.
This is my favorite new book cover parody. Ozma’s 80s horror paperback. There’s always been something ominous and yet flashy about how cute she is, which could only be expressed by painting her while drinking a lot of Tab.
Walker Stalker! Tomorrow! I know I’m no Jerry, who I won’t be able to see because I’ll be at my table, and I’m clearly not King Ezekiel, who I won’t be able to mention Hellraiser: Hellworld to (um, that movie has Khary Payton, future apparent (I haven’t seen it) downer Superman Henry Cavill, and the best but somewhat -to put it lightly – misused person on Vikings, Katheryn Winnick all in it, what a strange world we live in), but I hope someone comes and sees me anyway because I have a very wide range of stickers this time.
4. Everything Ravaged, Everything Burned – Wells Tower
I read this because I heard about the Viking story that lends its title to the whole collection. The Viking story is the best one in the collection. It’s awesome. I had a hard time relating much to the rest of the stories, possibly because I have not had the male issues that are being explored. I have, however, obviously had Viking issues. “The Lost Vikings” is one of my most favorite Dethklok tunes. Amon Amarth has many songs about Vikings and I do love their music. However, Viking behavior is questionable using modern cultural mores. That’s part of what made the short story so great.
Mortemer will continue to circle the village like a good little Viking until the defenses are weakened and he can pillage.
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