Tag Archives: Squirrelpocalypse Trilogy

“This thing doesn’t want to show itself, it wants to hide inside an imitation.”

63. NOS4A2 – Joe Hill

Victoria McQueen felt very familiar to me, and not just because we’re both good at finding things. When I originally read the description for NOS4A2 before the book came out, all I could think about was Regan, the main heroine of my Squirrelpocalypse trilogy . I know that Joe Hill and I aren’t working on the same level, but we are working within the same territory. We’re a little bit like the two camps in The Thing. I’m the Norwegian one, for a variety of fun reasons. And it’s little comparisons such as that one that give me the indications that Hill and I are neighbors. Allusions are part of the fabric of our writing. The Thing is, heh, if you know what one of us is alluding to, you’ll either love the whole story more or start to resent it.

I recognized many things in NOS4A2 just as I have in other Hill works. The one that most significantly sparked for me was the bridge. I knew I’d seen it before. The vision that Vic crossing it put in my head was straight out of something that, at the time I read this, I hadn’t seen in a very long time – In the Mouth of Madness. It’s that bridge. Those lights between the boards. That rickety slapping. NOS4A2 is a masterwork of allusion and it’s also just an amazing damn original story- always what I’m aiming for as well. Christmasland reminded me a little too easily of his father’s work, which is neither here nor there, as it mostly made me worried the ending wouldn’t be satisfactory.

Merricat would’ve burned down both camps. She was a finisher and fierce little pig.

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Filed under Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels, Review, Writing

CBS Studios can’t tell a guinea pig parody from an actual copyright violation.

Today is my birthday. It is the second-most held birthday in the world thanks to New Year’s Eve… Anyway, today I woke up to a notice that Redbubble, the site where I sell the non-handmade versions of my work, took down the following painting:

Peregrine’s log saw something that night. It saw a corporation being a dick to a poor person about their guinea pig parody painting.

 

Because CBS Studios said it violates their rights. Fuck you, CBS. My nostalgic, guinea pig-centric television parody does not violate CBS Studio’s rights. This image has never existed before I painted it, it’s not accurately representing anything from the Twin Peaks universe- note that the inaccurate logo is a pun: “Peegs” is not “Peaks” and it is not accurately painted because I’m stuck with my human hands and I can’t perfectly match colors, Peregrine is not Margaret Lanterman and as far as I have ever seen, the Log Lady has never been in the Red Room – nerd detail, guys. My original concept utilizing the concept of parody and guinea pigs to put out something very cute featuring my little girl.

Parody has always been protected.

No one will ever confuse my work for any actual Twin Peaks merchandise.

And frankly, I don’t really sell all that much of anything I do, because it relies upon people who like guinea pigs to find it. Twin Peaks never involved guinea pigs. My Twin Peaks parody only has the possibility of profit if people who like guinea pigs find it. I’ve never sold a single one of my parodies in person to anyone who didn’t expressly become interested because of guinea pigs. The thing I’m parodying has always been the secondary concern. Always.

One last consideration – guinea pigs are not cats, the behemoth of the animal parody-trade.

Parody is protected.

Don’t go after artists who aren’t in your way.

I filed a counter-notice. I will update if I get my painting reinstated as it should be, I’ll maybe update if “screw you, poor artist person” stays the status quo.

 

Fuck you, CBS Studios. (Tulpa-Diane doesn’t even belong to you, CBS Studios, I bet you’re mad that I just parodied her phrasing and you can’t tell me to take it down.) Ozma doesn’t want you to break my heart on my birthday anymore, even if Funko Bob would probably support that.

 

This week I also found another site where people are stealing the first book of my Squirrelpocalypse Trilogy and now this, on my birthday, well… I’ve never been happier. I don’t know why it’s important to prevent someone whose work barely anyone is even interested in from making any money off it, further enforcing that they will never get to be who they are full time, but that is what I am learning this month.

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The album is called Reign in Blood, the song is “Raining Blood.” You’re welcome.

33. Darkest Heart – Nancy A. Collins

It’s recently come to my attention that I still know every single sound in the movie Interview with the Vampire by heart. It was on HBO the other night, presumably in anticipation of that Vampire Chronicles TV series I’ve heard minimal amounts of things about and so I watched it for the first time in ages with Finny, and Peregrine, when Finny got tired of me telling him when a noise I didn’t like was about to come on – like when Louis first dies and when that one prostitute is making that snapping noise at Lestat, and there’s more…there’s always more. I believe the main reason I know it by heart is that I used to listen to it when it was on Pay per View and I couldn’t see it (scrambled), but the sound was perfect. Apparently that’s not what other people were “watching” on scrambled Pay per View but that’s fine.

Anyway, vampires have been of interest to me for a long time, and my mom found Darkest Heart at a library sale and got it for me. It turns out it’s the last in the Sonja Blue series, and I read it first. It did make a little bit of a difference. I wasn’t entirely invested in the character as a vampire who also happened to be a “badass vampire hunter,” perhaps I’ve been tainted by Blade. But I did see a certain familiar conflict between vampiricism and humanity (“Oh, Louis, Louis, still WHINING, Louis!” – best part of the whole movie, unexpectedly) and the plot and action were fast paced (Sonja is not as mopey as Louis, even though I’ve always loved Louis, [named one of my own characters after him – a broody, angry poet werewolf] Sonja is like the Slayer to Louis’ Neutral Milk Hotel) and made it clear that there’s a toothsome quality to the series. I’ve since read more Sonja Blue books and enjoyed them, but I haven’t stumbled across the first one just yet.

"Yes, please, tell me more about all those noises I don't even understand in this movie." - Peregrine

“Yes, please, tell me more about all those noises I don’t even understand in this movie.” – Peregrine

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Filed under Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels, Review, Writing

“I’m not even supposed to be here today.”

73. Horrorstor – Grady Hendrix

Several people saw this book and thought of me. It’s droll, involves the supernatural, and has an amusing title. I also thought of me from both my existence as a writer of that sort of thing and a reader of it when I read a review and then by happy coincidence I found it in the stacks while looking for a different book that was misplaced sometime in the last two years – I hate it when things are misshelved and have no history of being checked out; it just makes me think the first person to shelve it did it wrong and set off a horrible chain of events.

Anyway, I read it in an evening and I did enjoy it quite a bit. I returned it to the library and was told about how I might like this “book with the weird name” by someone, and then later it was given to me for Christmas. I wanted a copy, so I was happy about that, but my aunt was not as pleased that I’d already heard of it and read it. Sometimes things attract me for reasons I cannot explain. The right kind of horror comedy will find me. Preferably. I’d rather the right kind found me early on in its existence, but I have no control over discoverability …as much as I try to be both discoverable and discover things.

Not surprisingly based on the title, it’s a take off on Ikea and the drudgery of working at a giant store. The book is set up in a catalogue format, with a particular product advertisement at the beginning of each chapter. The descent into madness with those products is one of my favorite things about the book – the design of this book is absolutely excellent. It’s quirky as hell, which, being published by Quirk books, makes sense. I have also always been pretty fond of reluctant anti-hero types forced into ridiculous circumstances, as both a writer and a reader (one might say a squirrelpocalypse qualifies as a ridiculous circumstance, they’d be right) and Hendrix does a good job of pushing the reluctant heroine in a believable way. There are a lot of familiar things in Horrorstor, the co-workers, the policy issues, the dead wanting to make their way back into our world, the convenient storage solutions, and I was very amused by how everything came together.

If you need to improve your Kleenex storage options or if you have ever had a guinea pig as inclined to take out Kleenex boxes as Miss Pickles...perhaps there is some sort of haunted store near you.

If you need to improve your Kleenex storage options or if you have ever had a guinea pig as inclined to take out Kleenex boxes as Miss Pickles…perhaps there is some sort of haunted store near you.

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Filed under Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels, Review, Writing

I’ve finished 47 paintings, 8 silkscreens, put out 1 e-book, and carved out my own little corner of an online store so far this year. Last year I did a little less. A little.

Seventeen of the eighteen "blind paintings" I finished. All of these will be available for an adorably low price at Wizard World Chicago, but they will also be wrapped up so no one knows which painting they're getting. Drawing and painting eight animal and bird skulls in one weekend is not something I advise anyone to do, regardless of how much they used to like painting skulls.

Seventeen of the eighteen “blind paintings” I finished. All of these will be available for an adorably low price at Wizard World Chicago, but they will also be wrapped up so no one knows which painting they’re getting. Drawing and painting eight animal and bird skulls in one weekend is not something I advise anyone to do, regardless of how much they used to like painting skulls.

 

All the printing for Chicago! I do think my Army of Dangers tea towel is my favorite of the five images I've printed on tea towels this year.

All the printing for Chicago! I do think my Army of Dangers tea towel is my favorite of the five images I’ve printed on tea towels this year.

 

Postcard swag.

Postcard swag. After the reception my images received at Wizard World Madison, I wanted to make it more possible to take home my aesthetic and I’m pretty fond of postcards.

Some of the images on these are no longer available in any handmade format… all three Danger Crumples takes over for Christopher Pike paintings went to a good home. And the one of Danger with the white starburst behind him was solely a commission. But! Fear not, anyone who picked up my cute little Merricat with the Zebras record, turned it over looking for a price, and then had to ask me only to recoil in slight shock (I like that one too), I had both postcards made AND posters. The poster is bigger than the painting, but still looks sassy thanks to my friend Rebecca’s skills.  Enjoy McWikken, Army of Dangers, Danger Dixon (not pictured, previously posted), and both Danger Who paintings (“) are also now available in full color posters – I didn’t get very many made, and of course, they are only purchasable in person from my booth at Wizard World Chicago August 18-19-20-21.

AND, to keep going yet longer, I also made several of my images available to be purchased on a variety of things via Redbubble . A link to my profile page is at the bottom of my blog, also on my About page, and I’ll have a more thorough post coming about my store in a few days so I can showcase all the products I think are particularly amusing. Here is a teaser photo –

The real reason I chose to put stuff up for sale besides being asked quite few times if I sold online (I sell handmade things in person, non-handmade online), I can now get Merricat on a throw pillow. And Horace. And Pere. And I can get a guinea pig skull duvet cover. It's ridiculous.

The real reason I chose to put stuff up for sale on Redbubble besides being asked quite a few times if I sold online (I sell handmade things in person, non-handmade online), I can now get Merricat on a throw pillow. And Horace. And Pere. All the throw pillows! And I can get a guinea pig skull duvet cover, or Finny as the antichrist on a duvet cover, or the golden Danger Crumples (not pictured). It’s ridiculous. I could have the weirdest couch decor ever. So could you, gentle reader. So could you.

 

47 Paintings, 8 Silkscreens, 1 Link – Wizard World Chicago profile

For those who cannot come to Chicago and wish to work on the amount of guinea pigs visually available in their home – my Redbubble profile

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Filed under Books, Night of the Squirrels, Uncategorized

YA Megamix Summer III: Season of the Witch

The school year is already over for some people, so, it’s basically summer…of course some of those people are now done with their undergraduate degrees or graduate degrees, so in their case summer means “life anxiety season,” unless they already have jobs. Good luck to those about to go over the precipice of the shocking lack of opportunity, it’s not fun.

Anyway, I’m continuing my tradition of the last couple of years and “reviewing” only older YA books and including one hour long mixtapes I’ve compiled to go with them. This year’s YA Megamix Summer shall be known as the “Season of the Witch” because I will not be reviewing a single book that has a witch in it – just like the Halloween franchise entry – and it’s the third Halloween-associated movie and this is the third summer I’ve done this, and I am in the process of finishing my “John Carpenter’s Guinea Pigs” painting series so I can bring all of it to Chicago in August.

To kick off the Season of the Witch, I’m going to post a mixtape of songs that have been carrying themes and revision-staples for my Squirrelpocalypse Trilogy. Somehow, these never ended up being chapter titles.

Mixtape:
1. Stormy High – Black Mountain
2. Ah! Leah! – Electric Six
3. Ash of the Mind – Agents of Oblivion
4. My Apocalypse – Zebras
5. Homemade – Eighties Matchbox B-Line Disaster
6. My Dreams – Gun Club
7. You Don’t Own Me – Masquer
8. Queeny Gloom Doom – Zebras
9. Restarter – Torche
10. Hold My Hand – UNKLE
11. Down in the Park – Foo Fighters
12. Filled With Fire – Zebras
13. Skogsdotter – Finntroll
14. Holiday in Cambodia – Dead Kennedys

Also, this is Finny. It may not be clear in this picture, but he is a madman. Not a witch.

Also, this is Finny. It may not be clear in this picture, but he is a madman. Not a witch.

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Filed under Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels, Writing, YA Megamix Summer

Did I ever tell you my favorite color was blue?

In the Mouth of Madness is one John Carpenter movie I won’t guinea pig-ify- because it is just too close to home sometimes. As a writer, who has written while watching In the Mouth of Madness, and who writes horror things that could be considered ridiculous under certain circumstances, and who decided that it would be a good idea to finish her Squirrelpocalypse Trilogy before Wizard World Madison started, I can relate to the “Did I ever tell you my favorite color was blue?” scene from both Sam Neill and Jurgen Prochnow’s perspectives. When I finished Night of the Squirrels, I yelled the same way Sam Neill does. And I wanted some Cheetos, if you read it, you’ll be able to tell that I wanted some Cheetos.  I did not have any Cheetos and it was late enough at night that I decided not to go out for some. Such a dilemma.

Anyway, Night of the Squirrels is up and ready for purchasing via the usual ebook retailers, I’m waiting for distribution to finish to a few retailers, and it’s currently easiest to find via my Amazon Author Page (Who knew that title would be so hard to search for? Me. I am a librarian, so I know some searching, but, still, that’s why I also decided to use “Squirrelpocalypse” repeatedly and I should have used it when I printed the first cover…damn the permanence of printmaking!)

It's all three covers together at last!

It’s all three covers together at last! So squirrely.

 

Of course, I’ve also done some paintings and prints related to my series (I have a few sets of all three book covers, several of the Day of the Robots cover, and several of the Night of the Squirrels cover – all in multiple colors) for Wizard World, today is the last day, so…  Merchandising, where the real money from the novel is made!

 

 

I've always been inspired by the WPA posters. Not only because if I was alive during that time period, I would have been angling for a printing job, I'm also just super fond of the typography. This one recreates a scene from Night of the Squirrels. The travel poster, McWikken style.

I’ve always been inspired by the WPA posters. Not only because if I was alive during that time period, I would have been angling for a printing job, I’m also just super fond of the typography. This one recreates a scene from Night of the Squirrels. The travel poster, McWikken style.

 

Another WPA inspired one (oh, and although I am a printmaker, both of my WPA inspired works are paintings), this time in honor of Babette and Louis. Shiny purple!

Another WPA inspired one (oh, and although I am a printmaker, both of my WPA inspired works are paintings), this time in honor of Babette and Louis. Shiny purple!

 

They call her Regan Brite. This one is a silkscreen also available in glow in the dark green. This print was so involved that I barely came away with any to sell - and so I made some postcards of this version. A few.

They call her Regan Brite. This one is a silkscreen also available in glow in the dark green. This print was so involved that I barely came away with any to sell – and so I made some postcards of this version. A few.

 

Will you endure the placement of this link with me, one last time? my profile on the Wizard World site

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Filed under Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels, Writing

Gotta have you on my wall, ’cause-

I love skulls. And bones. At one point I was tempted to call this blog Guinea Pigs, Books, and Skulls because those are the three things that I’m interested in artistically, but at that point I didn’t think I was going to feature my paintings on this blog- Ha.

The four paintings below are going to be available for sale at Wizard World Madison April 8-9-10 ( my profile on the Wizard World site ).

The star painting, I also have prints of my Bye Bye, Li'l Sebastian design.

The star painting of the most important mini-horse skull. I also have prints of my Bye Bye, Li’l Sebastian design.

 

My signature piece, Guinea Pigs are for Life. Now one person can also have a guinea pig skull painting (I kept the first one I did) and about six people can have guinea pig skull prints. Sometimes I don't have very many available because printing is not always a sure thing when you do it all by hand.

My signature image, Guinea Pigs are for Life. Now one person can also have a guinea pig skull painting (I kept the first one I did) and about six people can have guinea pig skull prints – sometimes I don’t have very many available because printing is not always a sure thing when you do it all by hand.

 

This is what a Columbian Ground Squirrel's skull looks like...when I paint it.

This is what a Columbian Ground Squirrel’s skull looks like…when I paint it.

 

The skull of the other mammal I'm regularly associated with, the squirrel. I made its teeth less scary in this painting than the teeth featured in Night of the Squirrels.

The skull of the other mammal I’m regularly associated with, the squirrel. I made its teeth less scary in this painting than the teeth featured in Night of the Squirrels.

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Filed under Dawn of the Interns, Day of the Robots, Night of the Squirrels

Start with a Queen, End with all the Queens

Thus ends the specified “Year of the Ladies.” Although next year starts tomorrow, I’m not clear on whether or not I want to have a theme.

The main thing I know about next year is that I have a lot of art to finish before April.  Another thing I know is that I am both petrified and anxiously awaiting the edited version of the final book in my Squirrelpocalypse trilogy – Night of the Squirrels. I will then revisit it, stare at it wondering what I was thinking, re-write some chunks, probably cry about said chunk re-writing, ask the guinea pigs if they have any ideas about why it turned out so differently than what I planned for the story in 1998 and not get ANY useful answers, and then accept it and rearrange all the semicolons before I format it and put it up with the other two. I finished it this year, on December 5th at 11:53 PM, and immediately wasn’t sure if I liked it. That probably means it’s all right because every single time I finish a book – and I’ve finished two this year, personal best, probably never to be repeated – I’m not sure if I like it. So, I await my cognitive distance and since I like to end with pictures, here are all the sweet little lady pigs that I’ve owned since 2008. Snippiest, most gratuitously disagreeable bunch of cavies ever to exist and I wouldn’t have it any other way.

Murderface and Pickles in Hattiesburg

Miss Murderface and Pickles the Drummer (yes, that Pickles, and her full name is the entire line from the opening credits – that’s a behind the scenes secret you couldn’t get from very many sources).

Sepia toned teddy bear ladies Twiglet and Pammy. So fuzzy. So domineering. But so fuzzy and so good at napping.

Sepia toned teddy bear ladies Twiglet and Pammy. So fuzzy. So domineering. But so fuzzy and so good at napping.

Murderface and the lovely Duncan Hills. I only got to have Duncan for eleven months, but she had the softest ears and the sassiest disposition. She also helped me quite a bit with the planning of Day of the Robots.

Murderface and the lovely Duncan Hills. I only got to have Duncan for eleven months, but she had the softest ears and the sassiest disposition. She also helped me quite a bit with the planning of Day of the Robots.

Merricat and Peregrine, my first non-Mississippi or Iowa born lady pigs. Merricat was frighteningly special and my first lady Abyssinian. She was very small in size, but had a very large bite.

Merricat and Peregrine, my first non-Mississippi or Iowa born lady pigs. Merricat was frighteningly special and my first lady Abyssinian. She was very small in size, but had a very large bite.

Peregrine and Ozma having a mild moment. Peregrine has not been the most friendly of new friends to Ozma, but Ozma's willingness to explore is slowly, very slowly seeping in to Pere.

Peregrine and Ozma having a mild moment. Peregrine has not been the most friendly of new friends to Ozma, but Ozma’s willingness to explore is slowly, very slowly seeping in to Pere.

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Filed under Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels, Writing

Write. Print. Repeat.

Two squirrels! Two robots! So appropriate for the second book of a trilogy.

Two squirrels! Two robots! So appropriate for the second book of a trilogy.

The Guinea Pig-style (Duncan Hills) first edition of Night of the Squirrels: Day of the Robots, sequel to Dawn of the Interns and the middle section of the Squirrelpocalypse trilogy,was initially available on Amazon in May of 2013. Now, in June of 2015 (well, sort of May because it put it up in May, but there are always delays while I wait to see my cover and not a grey box on websites before I say anything), the “Call of the Merricat” second edition is available with its more squirrelpocalypse-appropriate cover and two less typos.  I’ve been told it’s better than the first one – but! – I don’t think that matters unless you’ve read the first one, so maybe it’s an Evil Dead II situation and maybe it’s Gremlins II, there really aren’t enough horror comedies with sequels that remind me of my work, so it’s tough to be sure.

It’s also occurred to me lately that it might be interesting to show my work, at least in terms of how I create my clearly a-mah-zing squirrel covers. I do have a lot to say about cover art on here – that’s because I’m an artist. I use my human brain and hands to write my novels and also to draw and print the squirrel versions of their covers through the bewildering process of silkscreening. Silkscreening is the process of shoving ink through mesh to put images on things, in my case, card stock. In order for the ink to make the images I want it to, I hand paint the mesh of my screens with screen filler.

The dark red business is screen filler. Everything that’s covered with filler will remain the color of the card stock I’m printing on.

The dark red business is screen filler. Everything that’s covered with filler will remain the color of the card stock I’m printing on.

Many people can get their drawings onto their screens much more easily using photographic methods (light and photo emulsion). I can barely breathe most of the time because of my severe allergies and chemical fumes will destroy me very quickly, so I hand paint. It’s, um, not very easy to maintain the level of detail I want because I still only have human hands, but I do my best.

Pre-print Robots, post-print Interns, with discerning critic Danger Crumples. It is possible to remove the designs from screens, it’s called “reclaiming.” I am able to keep my designs on the screens by only washing out the ink when I’m done printing. Cold water takes out the ink, hot water is required to remove screen filler.

Pre-print Robots, post-print Interns, with discerning critic Danger Crumples. It is possible to remove the designs from screens, it’s called “reclaiming.” I am able to keep my designs on the screens by only washing out the ink when I’m done printing. Cold water takes out the ink, hot water is required to remove screen filler.

Once all the screen filler is dry and I’ve held it up to several light sources five million times to check for pinholes that will ruin my feelings while I print, I sort out the paper I want to use (I have to run a veritable shitload of prints when I silkscreen) and get the screen secured into the t-shirt press that hooks onto my coffee table. And then I print. On my knees. I ran this print sixty-one times.

Here’s my print-covered floor and the screen upright in the hinge clamps of my t-shirt press just before I went to wash the ink out of it.

Here’s my print-covered floor and the screen upright in the hinge clamps of my t-shirt press just before I went to wash the ink out of it.

I pretty much throw my prints everywhere there’s space because I need to run the print until the ink runs out, gets too dry, or some sort of blobbiness takes over. I had an ink-thickness issue this time, so I only ended up with twelve great prints and thirty-two mostly good ones. That’s a pretty good ratio considering I haven’t printed anything for over a year and my ink was definitely too thick for all the teeny details I wanted to come through.

Peregrine critiques my print from above.

Peregrine critiques my print from above.

I should mention that I’m leaving out a lot of details about the process of silkscreening, like tool names (squeegee!) and how you should have mylar on hand for proofing and registering your print and other things, so if you want to silkscreen in your living room you’ll need to research actual tutorials. I took silkscreening in college way back in 2003, and I didn’t put enough time into it, but I’m kind of glad I didn’t because of the chemical processes and my lack of allergy treatment at the time. I could have learned I have allergy-induced asthma earlier by passing out in a creepy basement room trying to coat my screen with emulsion, but at what cost? Actually, the cost would be these prints and all the others I’ve done since being able to re-visit silkscreening. Too much. It would be too much. And I retained a large amount of what I learned in that class over twelve years’ time, so…peaches. Of course, the guinea pigs would be much happier if I didn’t do so many things that take my attention away from them. A cost I must pay.

Horace and Danger Crumples don’t think I paid the cost to be the boss.

Horace and Danger Crumples don’t think I paid the cost to be the boss.

Anyway, that’s my cover creation process and if you want to support projects done completely by hand by someone who is nearly extinct because of their allergies or just want to know what happens next in my Squirrelpocalypse trilogy, I will list some linkage below and add to my “About” page. Oh, and since it’s YA Megamix Summer and my chapter titles tend to be song titles, here’s a sixtyish minute mixtape of chapter title songs to go with Day of the Robots:

1.     “Bang!” – The Raveonettes
2.    “Underdog” – Kasabian
3.    “Incubation” – Joy Division
4.    “Be My Wife” – David Bowie
5.    “River Styx” – Black Rebel Motorcycle Club
6.    “Worm Tamer” – Grinderman
7.    “It’s Gonna Be a Long Night” – Ween
8.    “Sistinas” – Danzig
9.    “I Wish This Song Was Louder” – Electric Six
10.    “Retrovertigo” – Mr. Bungle
11.    “Deep in the Woods” – The Birthday Party
12.    “I Think That I Would Die” – Hole
13.    “Running Up That Hill” – Kate Bush
14.    “Dog Eat Dog” – Adam and the Ants
15.    “Heart of Stone” – The Raveonettes
16.    “Cat People” – the Danzig version
Linkage:
Amazon
Barnes and Noble
Smashwords
Kobo
Bol
Itunes

P.S. One important thing, there are several “Rachel Smith”s writing and self-publishing. Accept no substitutes. It can be confusing. I have only published two novels so far, both are pretty clearly linked thanks to that new cover and the adoption of series specification (Night of the Squirrels/Squirrelpocalypse Trilogy) – even that other “Rachel Smith” who wrote an ebook about guinea pigs is not me. I would think that anyone could tell the difference between her writing voice and mine and her cover aesthetic and mine – I just wanted to make sure we’re all clear that she’s not me. And I haven’t written any books on shopping addiction either. Just YA fiction about the squirrelpocalypse thus far.

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Filed under Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels