Tag Archives: references

“This thing doesn’t want to show itself, it wants to hide inside an imitation.”

63. NOS4A2 – Joe Hill

Victoria McQueen felt very familiar to me, and not just because we’re both good at finding things. When I originally read the description for NOS4A2 before the book came out, all I could think about was Regan, the main heroine of my Squirrelpocalypse trilogy . I know that Joe Hill and I aren’t working on the same level, but we are working within the same territory. We’re a little bit like the two camps in The Thing. I’m the Norwegian one, for a variety of fun reasons. And it’s little comparisons such as that one that give me the indications that Hill and I are neighbors. Allusions are part of the fabric of our writing. The Thing is, heh, if you know what one of us is alluding to, you’ll either love the whole story more or start to resent it.

I recognized many things in NOS4A2 just as I have in other Hill works. The one that most significantly sparked for me was the bridge. I knew I’d seen it before. The vision that Vic crossing it put in my head was straight out of something that, at the time I read this, I hadn’t seen in a very long time – In the Mouth of Madness. It’s that bridge. Those lights between the boards. That rickety slapping. NOS4A2 is a masterwork of allusion and it’s also just an amazing damn original story- always what I’m aiming for as well. Christmasland reminded me a little too easily of his father’s work, which is neither here nor there, as it mostly made me worried the ending wouldn’t be satisfactory.

Merricat would’ve burned down both camps. She was a finisher and fierce little pig.

Advertisements

Leave a comment

Filed under Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels, Review, Writing

Full disclosure: I have described some of the metal drumming I like as sounding like hooves, or horsies, or a herd of wild ponies running free across the plains…but never in a story, that would be embarrassing.

24. The Five – Robert McCammon

Writing about music is hard. It just is. It’s hard to describe, sometimes when you describe it using feelings you end up sounding like a tool, or just a bit too sentimental, or you’re Cameron Crowe and despite all pedigree and reputation you really do sound like a bit of a sentimental tool when your music-feels come out of your character’s mouths. I have been to many shows that had a clear overall communal feeling of some level of joy; I’ve also been to my share of “off” shows and more than a couple where I knew members of the band and I cringed about the banter (Stop talking! You’re too drunk and many of us would like to respect you again at some point! You only played two songs and the ten minutes feels like fifty! – I cannot say what show I was thinking and cringing this at. It’s still too hard going through the secondhand embarrassment and I really liked several members of the band. Oh dear Jeebus.)

Sometimes in The Five, Robert McCammon gets a little Cameron Crowe-y and I know it’s probably just me being all “I know some stuff about music and I have opinions and discerning tastes” and my main problem with such Crowe-yness is that it’s too broad. Not every musician, or musician character archetype, it going to worship the same stuff. We can’t all like the same things. Being too genre-specific is a total pit too, though, so, whatever, Roky Erikson-reference and then shove in a Buckethead fan… Anyway, what I’m getting at is that in titular band, there’s a dude who seems like a metal dude but says some phrases that I wouldn’t expect to come out of a metal dude’s mouth – and he’s wearing Chuck Taylors instead of boots, so he’s almost like a metal-indie hybrid, there’s a hippie chick, Peaches if she was an obstinate drummer, the throwback keyboard guy, and the rough and tumble bass player with a past – Murderface, he is not, although they are both imaginary bass players. It’s like several archetypes of musicians formed a band – and they get along. For me that seems like a total fantasy, but that’s okay because McCammon clearly loves what he’s talking about, to the point where he did mention too much gear, and it’s a road trip thriller. I do love some driving stories. Journey stories are a total thing for me; and I’ve never been on tour, just heard a lot about it. The lead singer of The Five totally reminds me of a friend of mine, so he was pretty easy to picture, especially all the anger-based comments. So, if you can look past a few of the cheesier descriptions of songage, and enjoy Robert McCammon’s weirdo version of reality where the supernatural edge of things creeps up on you, The Five is ridiculously enjoyable.

Finny's full name is Finntroll. Ozma is named after the princess and later queen from the Oz books and also the Melvins album. In this picture I'd call them The Two.

Finny’s full name is Finntroll. Ozma is named after the princess and later queen from the Oz books and also the Melvins album. In this picture I’d call them The Two. They were on tour underneath my coffee table.

Leave a comment

Filed under Books, Review, Writing