Tag Archives: painting

Adventures by the pool of sadness

Art break!

I’ve been painting again, because I’m participating in the GeekCraft Expo in Madison on March 3-4, it’s at the Masonic Center and it’s free to get in. Free to get in! That’s unlike any of the other shows I’ve done…anyway, another show means new paintings had to be done and this year I’ve been expanding my selection of guinea pigs on TV with:

Look at these boys on their bikes. They are ready for an adventure in the upside-down. They’re even wearing jackets. Sensible.

 

My adventurous little trio of boars – Ozymandias, Danger Crumples, and Horace – got out of the graveyard and into the guinea pig version of Hawkins.

And then there’s Pere-Barb:

Sitting by the pool of sadness, just like every other girl who was super cool in high school. Eat your heart out, actual cool kids.

Peregrine channels her inner lovable loser feelings to be Barb just before everything went tits up for her. Poor Barb. Poor everyone who understood how she felt sitting by that pool, alone, sent away from her best friend who had a shot at being cool… I certainly can’t relate. *cough*

I will have postcards of both of these paintings and the actual paintings on display and technically priced at the GeekCraft Expo, which is on March 3-4 in Madison at the Masonic Center. I will also have more paintings and more postcards and posters and prints I made with my human hands (which will also be visible) at the show. I’m not bringing Peregrine, but, that’s because her true beauty is hard to witness in person. It’s very distracting. Horace too, he’s like, really cute in person.

Anyway, sorry about that bragging, but everyone can enjoy images of Pere and Horace (and Ozy and Danger Crumples and more!) in person at the show OR, if you can’t make it to Madison, I have made them available on stuff and things via my Redbubble page:

Pere-Barb

Danger Things

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“Won’t you take a ride…ride…ride…On heavy metal”

Today only! Redbubble has a 20% off sale (and express shipping gets things to you by Xmas) if you use the code: GIFTNOW

And, may I add, I have added two new parody paintings to my portfolio that are available on things and stuff:

 

And

 

I saw somewhere that Porgs are based on puffins and I must call shenanigans. They look just like Pere. And she’s not a puffin. So I showed them who is boss in this parody painting, heavy metal-style.

 

Again, I have called shenanigans.

 

Finny is a pretty emo pig, he’s got a lot of emotions, and he could turn to villainy at any time.

 

See? Villain potential vs. my little valkyrie

 

I have many of my other paintings available on things and stuff too. You can have the weirdest home imaginable (next to mine, that is). My portfolio page, it’s FULL of piggy goodness.

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It is happening again. (YAY!/I hope it’s good.)

We are taking a break from our regularly scheduled programming to bring you a message about painting and excitement for the Twin Peaks new season premiering this Sunday and of course, guinea pigs.

This year I’ve been working on some more paintings that inject my sweet little guineas into glorious television shows. I started this series last year with my Danger Dixon parody, Danger Who number 10 and Danger Who number 11 , iPiggie , and now I give you the ladypigs of Twin Peegs.

But first, because Laura always comes first, I did a little photoshoot of Ozma acting as Laura being menaced by BOB in Fire Walk With Me:

I’m sure you can all tell this is an exact and painstaking recreation. I didn’t have to convince Ozma to walk in that direction and be menaced several times.

Funko Bob is super intimidating.

There we go. Fully menaced Ozma-Laura, running away…

In the actual paintings I decided to cast Merricat as Audrey Horne (my favorite Twin Peaks high schooler):


Ozma as Shelly Johnson:

Here’s Ozma not even really looking at herself as Shelly.

And Miss Peregrine herself as the Log Lady (my favorite Twin Peaks adult lady. I have a log pillow and vaguely debated trying to get my mom to buy me a real log when visiting the Twin Peaks section of a gift shop in Snoqualmie Falls as a teenager):

Peregrine’s log saw something that night.

Peregrine also got some time with a small toy version of her character:

In the White Lodge – which is clearly not my bedroom -, they allow attempted hair cuts the same way I get them – guinea pig teeth.

Peregrine starts to take this whole thing a little more seriously.

Each of the full paintings is available on a variety of objects/in several fashions (posters, coffee mugs you can fill with fish coffee or damn fine coffee, either way, phone cases, my favorite the throw pillow, etc.) on my Redbubble page.

Guinea pigs love art work. And posing for pictures. And pie. And Special Agent Dale Cooper most of all, but also Albert.

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“This week in Ravi is the Best” from Jane Says is one of the things I’m most looking forward to about the show coming back.

29. iZombie I: Dead to the World- Chris Roberson & Michael Allred

30. iZombie II: uVampire- Chris Roberson & Michael Allred

32. iZombie III: Six Feet Under and Rising- Chris Roberson & Michael Allred

33. iZombie IV: Repossession – Chris Roberson & Michael Allred

My issues with the iZombie comics are basically the same issues I have with the depiction of female main characters by male writers occasionally – overly sexualized drawings (Such a comics norm, but, is it really necessary to have so many skin tight outfits in a non-superhero or athletic setting? Must one be aerodynamic to be a zombie? Who is this for? I miss Daria. Tangent.), seeming agency revealed to be influenced mainly by dudes (Daria squint. I really do miss her.), and of course, that female main character must be sacrificed (and she’s nude…because she becomes a Grow Monsters- those are heroic tits I guess) in order to save the world. Gwen seems nice, has some quirks, and barely felt real to me. Why did she like that Horatio guy exactly? Sometimes vampires aren’t necessary. Why does she call Scott “Spot” if he’s really her friend? He didn’t seem to need his self-esteem lowered any further. How many characters do we need in this story? Really, Amon? REALLY? What a dick.

Reading the comics just made me feel like I missed something. I loved Gwen’s Halloween costume in the first issue (Shaun). I like the idea of a were-terrier. I thought Dixie seemed like a pretty cool diner owner and needed some more scenes, maybe a spotlight issue, and after a little research I see the series was ended after 28 issues due to low sales. That makes some of the plot line drops and the wrap up make more sense. I can’t help but wonder if maybe Gwen’s choices weren’t as a result of a dude-issue (whether it’s Amon or Horatio) it might have found a female audience just a bit more solidly. The agency and dude influence issues are definitely something I don’t notice as much when watching the iZombie television show. Also, Liv Moore wears a lab coat a lot of the time. Doesn’t seem to make her less of a zombie or solid heroine. All I can say is, the show better not specifically end with Liv becoming a Grow Monster to eat an alien entity bent on devouring the world. Although if it does, it will just be one more reminder of what women won’t be able to get any credit for after that disaster of an election. If they go that route, maybe she’ll just let the alien eat us. I think we’d be better off…at the least it would be unexpected and it’s not like we’ll get equal pay or recognition before I’m dead anyway.

Now is the time on Guinea Pigs and Books where I brag about how Rose McIver liked the postcard I gave her of this painting. She asked me if she could keep it, which was the sweetest possible thing she could have done. Rose McIver is excellent and very small, not unlike Ozma, the guinea pig playing her in the painting.

Now is the time on Guinea Pigs and Books where I brag about how Rose McIver liked the postcard I gave her of this painting . She asked me if she could keep it, which was the sweetest possible thing she could have done. Rose McIver is excellent and very small, not unlike Ozma, the guinea pig playing her in the painting.

 

Thankfully, the very small Ozma will never have to worry about any of the things I get to worry about or becoming a zombie.

Thankfully, the very small Ozma will never have to worry about any of the things I get to worry about or becoming a zombie.

 

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Summer Ends

20. Touched with Fire – Kay Redfield Jamison
The title comes from a line in the Stephen Spender poem “I Think Continually of Those Who Were Truly Great.” The subtitle of this book is “Manic Depressive Illness and the Artistic Temperament.” After finishing this book, I know two things: 1. I am not manic depressive. I have never been manic in the manner described in Touched with Fire; although perhaps in retrospect it will seem like I was when I finished so many creative things this year. And I haven’t even put all of them up in my store . 2. I relate more to Henry James than I like. I hated reading Washington Square, now I begrudgingly respect it. Actually, I still have that “ugh” feeling in my gut thinking about reading it, so it may mostly be a product of whatever mental state I was in at the time.

One of my favorite aspects of Touched with Fire is the list of artists, composers, and writers who were either manic depressive, had probable cyclothomia, or had major depression. It’s marked with who was hospitalized, who made a suicide attempt, and who committed suicide and it was super interesting seeing who did what. Like extremely late to the party gossip.

There was also a section of shorter biographical pieces dealing with the family histories of “madness” of famous artists and writers called “Genealogies of these high mortal miseries” after a phrase by Herman Melville that I truly love and that was the section that resonated with me the most. Writing and art are both solitary pursuits and when you consistently wonder if anyone is ever going to connect with your work or why you should care or if you should really be doing this work when you’re not that stable financially and it’s not really helping with that and you know that it’s all you’d like to pursue regardless but you can’t put aside everything you care about aesthetically just because people tell you should if you want to make money… well, that whole section just provided a lot of material for me to relate to. There are a lot of differences between the time period when Herman Melville was writing and now, but, those differences are easily bridged by the mental anguish a large swath of artists and writers feel on a regular basis.

Personally, I remain true to my artistic vision regardless of what anyone tells me; which doesn’t mean that I don’t listen to criticism. I just look for relevance in the criticism. Sometimes you’re doing something people don’t get, and the main thing to consider in that case is whether or not what you’re aiming for people to “get” is coming through. If it’s not, there’s work to do. If it is and they don’t like it, that’s a different story altogether. You’ll have to beat them to death with their own shoes. Or not. To be fair, I know that many people are not ready for guinea pig domination or ladies being clever in realms where men are used to being the only clever ones. I would like things to be different and therefore I create. And I had a shitload of catching up to do after my on and off dealings with depression over the past thirteen yearsish. I proved to myself that even if I’m very stressed and very depressed I can write and paint and when I can focus, I can write and paint A LOT. I did drop one giant amount of baggage between last year and this year, which enabled me to focus on myself and what I want and apparently that was to finish manuscripts, print, paint and paint and paint, print some more, and actually execute some of the ideas I’ve had for so long while still working full time in a job that can be really stressful in so…many…ways. And I can’t say that me doing all of this has been met entirely positively. Some people really want you to stay in the place they expect you to be. But it’s not up to them and I have also received a lot of very encouraging sentiments too and I do want to specifically thank everyone who came out to see me at the Wizard Worlds I participated in this year, it made it clear to me that my work is unique, and, Cute, – and a special additional public thank you to those that facilitated me actually being able to participate. Overall, my experience reading Touched with Fire worked like a door through the darkness I get overwhelmed by sometimes and reminded me that I’m not the only one like this, even if I’m on the major depression side and not the manic side. To borrow a phrase from Mr. Presley, I’m a bit more “Filled with fire” now than anything else – no touching-; although that fire has turned to a smoky haze quite often in the past. No phoenix metaphors, it was there the whole time.

I also have muse-pigs to honor and I'll never let them down. Danger Crumples, perpetual muse-pig, stepping on all my journals, would personally thank everyone who purchased images of him and expressed how adorable he is, if he was available.

I also have muse-pigs to honor and I’ll never let them down. Danger Crumples, perpetual muse-pig, stepping on all my journals, would personally thank everyone who purchased images of him and expressed how adorable he is, if he was available.

 

My little unexpected muse-pig Peregrine and the start of my Pigoween painting. She (and Merricat, their relationship was very Duke of New York-Snake Plissken) was very much the inspiration for my John Carpenter's Guinea Pigs series of paintings.

My little unexpected muse-pig Peregrine and the start of my Pigoween painting. She (and Merricat, their relationship was very Duke of New York-Snake Plissken) was very much the inspiration for my John Carpenter’s Guinea Pigs series of paintings.

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I’ve been told I’m not good at recommending this movie…

The final John Carpenter film to receive the three pig painting treatment is Prince of Darkness. I tried to explain this movie to a friend of mine in the not so distant past and was told that I wasn’t really “selling” it by explaining that I like it, it seems pretty long, and that a lot of people seem to think it’s boring – but it has some really nice green tones and there’s what I describe as “Satan juice” in it. And old computers. And a very nicely lit classroom scene and this repeated shared dream sequence where the antichrist appears but it looks like the tracking needs to be adjusted. I see where he was coming from, but, I forgot to mention Alice Cooper was in it, so, that was probably the whole problem.

See? Satan juice. Corrosive Satan juice is compelling Pere and Ozma to wear 80s colors and reach out expressionlessly. I accidentally squirted half of my tube of titanium white on this when I was finishing the detailing...but I fixed it. Mostly.

See? Satan juice. Corrosive Satan juice is compelling Peregrine and Ozma to wear 80s smock-style shirts and reach out expressionlessly. I accidentally squirted half of my tube of titanium white on this when I was finishing the detailing…but I fixed it. Mostly.

 

There's also a scene where one student is translating some text and there's like a possessed computer moment where it says non-happiness inducing things, I've amended it a bit... the original messages did not involve hay. I assume because losing hay would be far too shocking for the world.

There’s also a scene where one student is translating some text and there’s like a possessed computer moment where it says non-happiness inducing things, I’ve amended it a bit- the original messages did not involve hay. I assume because losing hay would be far too shocking for the world. This image is going to be available as a postcard at Wizard World Chicago, as part of the movie set of postcards. So if you know any guinea pigs that can read and that you wish to play evil jokes on, I’ve got you covered.

 

Horace steps right into his role.

Horace steps right into his role. He’s also letting me know I messed up his little orange eyebrow.

 

The Finny Awakens

The Finny Awakens

 

These paintings also mark the painting debut of Finny, as the antichrist, the role he was born to play. He's not very happy about it. Too on the nose, perhaps.

These also mark the painting debut of Finny, as the antichrist, the role he was born to play. He’s not very happy about it. Too on the nose, perhaps.

I am one of several Smiths, yet again – Wizard World Chicago profile

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Shop smart. Shop…

…at the Guinea Pigs and Books booth at Wizard World Chicago, August 18-19-20-21.  Yeah, I know, that bit of terrible word play is not really going to pass muster; however, I have a good excuse in that I’ve been using most of my brain to work on paintings again. Paintings like these:

Trapped in time. Surrounded by evil. Very fluffy.

Trapped in time. Surrounded by evil. Very fluffy.

 

Danger Dixon-Rachel E. Smith

Guinea pigs sit down to use crossbows. They sure do.

 

Danger Crumples has taken over for Ash and Daryl this time around. Oh, and also Blaine.

 

iPiggie - Where I dared to question whether or not guinea pigs would use chopsticks, eat brains, and if Horace would dare to wear a sweater vest. They can do all those things, through the painful magic of painting.

iPiggie – Where I dared to question whether or not guinea pigs would use chopsticks, eat brains, and if Horace would dare to wear a sweater vest. They can do all those things, through the painful magic of painting.

These are but three of the six new paintings I’ve done since the Madison convention in April – six! And you bet there are Danger Dixon and Army of Dangers tea towels (and also prints on paper), Danger parodies only truly work if there are kitchen accoutrements. Plus, as established, I am a bit of a lunatic and I like tea towels with strange things on them. My kitchen will never be boring. Yours doesn’t have to be either.

Oh, and I should warn you, iPiggie is only available in mildly expensive painting and much cheaper postcard format. The world could not withstand the complications of an iPiggie tea towel. By the world I mean me, printing simplified versions of my two Danger designs was torturous enough.

Come facilitate further torture at Wizard World Chicago! Whee!

Here we go again with the linkage – Wizard World Chicago profile

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Did I ever tell you my favorite color was blue?

In the Mouth of Madness is one John Carpenter movie I won’t guinea pig-ify- because it is just too close to home sometimes. As a writer, who has written while watching In the Mouth of Madness, and who writes horror things that could be considered ridiculous under certain circumstances, and who decided that it would be a good idea to finish her Squirrelpocalypse Trilogy before Wizard World Madison started, I can relate to the “Did I ever tell you my favorite color was blue?” scene from both Sam Neill and Jurgen Prochnow’s perspectives. When I finished Night of the Squirrels, I yelled the same way Sam Neill does. And I wanted some Cheetos, if you read it, you’ll be able to tell that I wanted some Cheetos.  I did not have any Cheetos and it was late enough at night that I decided not to go out for some. Such a dilemma.

Anyway, Night of the Squirrels is up and ready for purchasing via the usual ebook retailers, I’m waiting for distribution to finish to a few retailers, and it’s currently easiest to find via my Amazon Author Page (Who knew that title would be so hard to search for? Me. I am a librarian, so I know some searching, but, still, that’s why I also decided to use “Squirrelpocalypse” repeatedly and I should have used it when I printed the first cover…damn the permanence of printmaking!)

It's all three covers together at last!

It’s all three covers together at last! So squirrely.

 

Of course, I’ve also done some paintings and prints related to my series (I have a few sets of all three book covers, several of the Day of the Robots cover, and several of the Night of the Squirrels cover – all in multiple colors) for Wizard World, today is the last day, so…  Merchandising, where the real money from the novel is made!

 

 

I've always been inspired by the WPA posters. Not only because if I was alive during that time period, I would have been angling for a printing job, I'm also just super fond of the typography. This one recreates a scene from Night of the Squirrels. The travel poster, McWikken style.

I’ve always been inspired by the WPA posters. Not only because if I was alive during that time period, I would have been angling for a printing job, I’m also just super fond of the typography. This one recreates a scene from Night of the Squirrels. The travel poster, McWikken style.

 

Another WPA inspired one (oh, and although I am a printmaker, both of my WPA inspired works are paintings), this time in honor of Babette and Louis. Shiny purple!

Another WPA inspired one (oh, and although I am a printmaker, both of my WPA inspired works are paintings), this time in honor of Babette and Louis. Shiny purple!

 

They call her Regan Brite. This one is a silkscreen also available in glow in the dark green. This print was so involved that I barely came away with any to sell - and so I made some postcards of this version. A few.

They call her Regan Brite. This one is a silkscreen also available in glow in the dark green. This print was so involved that I barely came away with any to sell – and so I made some postcards of this version. A few.

 

Will you endure the placement of this link with me, one last time? my profile on the Wizard World site

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Consider the Dangers.

My little man.

My little man.

Danger Crumples was the most important guinea pig I’ll ever have. I love all my pigs, they’re all so completely special to me, but Danger Crumples always stood out. He was very clearly the star.  As far as I’m concerned, he always will be. There’s no denying his charisma- I can’t think of anyone who saw him in person that didn’t want to pet him or didn’t try to get his attention. He’s pretty unforgettable.

On January 22nd, he passed away after a relatively swift decline. I stayed with him the entire time, making sure my best friend and the most consistently inspiring of all my muses knew how important and loved he was and still is. I also had him cremated so that he has to come with me wherever I move for the rest of time. He’d already lived in three states with me and taken every transition remarkably well, so, now he’s stuck in his bamboo box with a fly nameplate.

I was working on drawings of him for paintings and prints to bring to Wizard World Madison when he passed. As usual, he took some major roles – the tenth Doctor, the eleventh Doctor, the captain of the Elizabeth Dane-ger in Pigs in the Fog, an infected expedition member in The Pig – so he’s The Pig aka The Thing, anyway, YA author Christopher Pike, 1990s YA book cover model for said Christopher Pike takeover, and a little bit of the role of his not-real twin spirit- Hello Kitty. It’s very hard for me to draw and paint my pigs after they pass, so I left the painting of the Dangers until practically the last minute of my painting “schedule” and ended up painting seven Dangers at once. That was hard.

The seven Dangers.

The seven Dangers.

 

The Danger Who original paintings and Hello Danger.

The Danger Who original paintings and Hello Danger.

 

The Christopher Pike-Danger Crumples takeover. Danger Crumples Is Pigture Perfect.

The Christopher Pike-Danger Crumples takeover. Danger Crumples Is Pigture Perfect.

 

Being both the author and cover star made it seem appropriate to make the titles a bit more literal - Danger Crumples...In a Car with a Skeleton.

Being both the author and cover star made it seem appropriate to make the titles a bit more literal – Danger Crumples…In a Car with a Skeleton.

 

The biggest one - where Danger Crumples is joined by friends Ozymandias and Horace - Pigs in a Graveyard

The biggest one – where Danger Crumples is joined by friends Ozymandias and Horace – Pigs in a Graveyard.

 

( my profile on the Wizard World site )

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Are guinea pig parody paintings better than movie remakes?

My answer would be: probably. I would certainly enjoy a remake of The Fog starring guinea pigs, which is why I made The Fog the second target of my “John Carpenter’s Guinea Pigs” series of paintings, available at Wizard World Madison April 8-9-10 ( my profile on the Wizard World site ).

Once nice thing about Carpenter's often short titles - they really leave themselves open for guinea pig parody. Also, Danger Crumples would have been an excellent pirate captain.

Once nice thing about Carpenter’s often short titles – they really leave themselves open for guinea pig parody. Also, Danger Crumples would have been an excellent pirate captain.

 

Horace and Ozma face a leper pirate inside their awkwardly spaced truck.

Horace and Ozma face a leper pirate inside their awkwardly spaced truck.

 

When I chose Merricat to replace Adrienne Barbeau's DJ character Stevie Wayne, I knew that she wasn't going to be playing jazz records in between warnings about the fog... She's got Zebras' The City of Sun, one of my favorite records from last year by the best band from(ish) Madison in my favorite of all my John Carpenter's Guinea Pigs paintings. Not priced to move.

When I chose Merricat to replace Adrienne Barbeau’s DJ character Stevie Wayne, I knew that she wasn’t going to be playing jazz records in between warnings about the fog… She’s got Zebras’ The City of Sun, one of my favorite records from last year by the best band from(ish) Madison in my favorite of all my John Carpenter’s Guinea Pigs paintings. Not priced to move.

 

Despite the obvious futility, I always try to photograph the pigs featured in my paintings next to the paintings (unfortunately, neither Merricat nor Danger Crumples were available by the time I finished these). Horace and Ozma are not interested in my work. Of course they aren't. They don't even know I menaced them with leper pirates.

Despite the obvious futility, I always try to photograph the pigs featured in my paintings next to the paintings (unfortunately, neither Merricat nor Danger Crumples were available by the time I finished these). Horace and Ozma are not interested in my work. Of course they aren’t. They don’t even know I menaced them with leper pirates.

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