Tag Archives: Night of the Squirrels

He’s most dangerous when he’s being pleasant.

29. 13 More Tales of Horror – A. Finnis, ed.

And so we shall commence the unholy terror that is the “Christmas in July” theme month. For the rest of this month, the YA horror will be set at Christmas and the mixtapes will be somewhat lackluster because I’m not really a fan of Christmas music. I tried. I really did. And I filled in some large gaps with Kauna’s deeply gloomy metal opus treatment of the Dyatlov Pass incident. Holiday spirit!

There are also sort of presents. Sort of in that they do not become presents unless you buy them and they are only available online. I am way more like Krampus than Santa, I do like hooves and horns and subversion. And if you want “presents” from me in person this year, come to SUPERCON July 12-15 in Fort Lauderdale and Geekcraft Expo St. Louis July 28&29. I won’t have my horns on, my hooves will be hidden, and I probably won’t bring my switch, so it’s painless every way but monetarily.

Present Number One – A very specific sale! Smashwords is having their 2018 Summer/Winter Sale (Hemispheres) and I have discounted the entire Squirrelpocalypse Trilogy by 25% !!! !!! !!! So, if you have been tempted to read my ridiculous trilogy of lab experiments, gore, and friendship, now would be a good time to get it. Take advantage until July 31!

covers-touching.jpg

I mean, just imagine this on your virtual bookshelf for a total of $8.97. …$8.97? What have I done? Get It Here

We begin with a non-Christmas themed book, the second of the Point Horror short story collections, 13 More Tales of Horror, and the mixtape just includes one Christmasy thing – a song/sermon from the Reverend A.W. Nix from the “Death May Be Your Gift” Christmas compilation. Cheery!

“The Cat-Dogs” – Susan Price – So the font that they used for the title pages for each story is straight out of Scooby Doo. Thankfully many of the stories are a bit less predictable than the average Scooby episode. “The Cat-Dogs” is one way to learn the lesson of not bringing home any stray animals you find – especially not if you find them in a bag in the forest. Bringing them home just gives them a better chance to eat you and all your relatives. There was a particularly nice scene in the forest at night in this one. Disorienting.

“The Piano” – Diane Hoh – This is one seriously manipulative haunted piano.

“The Devil’s Footprints” – Malcolm Rose – This story was very weird and refreshing for me as an allergic asthmatic who has had many people say “I don’t smell anything” and “It’s fine” when my canary senses are firing on all cylinders telling me to run from the bad air. A Halloween party, a devil, a house computer named Brian that keeps warning the occupants only they don’t listen…it’s another metaphor for climate change that some people don’t want to listen to because they aren’t personally effected by it. Yet. I’m excited to see the hoof prints leading away from their house someday.

Murderface and Pickles would’ve listened to Brian the house computer.

“Softies” – Stan Nicholls – An interesting concept, but a bit smashed into the short story format. I could easily see this expanded with one of those “stuffed animal with a bloody knife” horror paperback covers. Would’ve been cool. As it is, it didn’t invoke my consistent childhood nightmare that my toys would get mad at me. Thanks a lot, Child’s Play TV trailer, they were all I had.

“The House That Jack Built” – Garry Kilworth – It is really hard to know what to do when you’re stuck by the side of the road in the middle of nowhere. If you’re in the wrong place, you’ll end up as an evil talking house’s manservant.

“The Station With No Name” – Colin Greenland – One thing I haven’t mentioned is that this collection is very UK-specific. I’m used to my Point Horror being very U.S.-oriented because the U.S. is a major source for teenager-based horror in fiction and real life. But I did get my MA in England and London happens to be my favorite city on earth, so it wasn’t too hard for me to get into these. This story involved the UK version of tagging and a station that hadn’t been open since WWII…because it’s super haunted. “The bombers got the line.”

Murderface wonders about these children who can’t stop spray painting their own first name onto things. If it was her name or Pickles’ name she’d get it because those are cool names.

“Something to Read” – Phillip Pullman – True hell is not being able to turn the pages because you’re non-corporeal.

“Killing Time” – Jill Bennett – Don’t move that alarm clock, or you’ll have to answer to that creepy dude on the hill who keeps telling you the earth needs blood. Really, the old gods need to get some new tricks – like the ones that did the Christmas crafting on Supernatural. Wreaths and pipes for everyone followed by brutal tooth pulling and other assorted bleeding!

“J.R.E. Ponsford” – Graham Masterton – I always expect a level of vulgarity from Graham Masterton and frankly, this was downright sentimental. I was extremely perplexed when the characters died in a way that was borderline off-page for Masterton. What the hell, Graham? Vulgarity is totally for teens.

“The worst part was when he mentioned an ear turning to ‘red gristle.'” Pickles summarizes the grossest part of “J.R.E. Ponsford” for Murderface so she doesn’t have to be disappointed by Masterton for teens.

“The Buyers” – David Belbin – This was not a horror story, it was a kidnapping story that definitely needed more zazz. Now, I know that in the Library of Congress classification system kidnapping and murder are close together, but that’s not all you need for horror.

“Closeness” – Chris Westwood – Guarantees of “FOREVER” are not for the faint of heart. It’s almost always better when they turn out to be unintended lies in a relationship too.

“The Ring” – Margaret Bingley – I would say this was a case of “Be careful what you wish for,” but when Kate wanted that ring, she didn’t want it because she thought it would allow her to hear all the horrible things her family and friends were thinking about her on her birthday. She wanted it because it was pretty.

“Bone Meal” – John Gordon – Texas Chainsaw Massacre-light for the UK includes way more dusters. Dusters.

Murderface and Pickles never answered the door. So they never had to murder anyone just for showing up.

Mixtape:

1. “Skogens Hamnd” – Finntroll
2. “Under My Chin” – The Eighties Matchbox B-Line Disaster
3. “Cellophane” – METZ
4. “Mickey Mouse and the Goodbye Man” – Grinderman
5. “Moths” – Wolfmen of Mars
6. “Patterns of Evil” – Electric Wizard
7. “16 Psyche” – Chelsea Wolfe
8. “Someone’s in the Wolf” – Queens of the Stone Age
9. “King of Bones” – Black Rebel Motorcycle Club
10. “Evil” – Grinderman
11. “Scratch at Your Skin” – Ice Dragon
12. “Begin a New Life on Christmas Day, Pt. 1” – Rev. A.W. Nix

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Filed under art, Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels, Review, Writing, YA Megamix Summer

I’ve finished 47 paintings, 8 silkscreens, put out 1 e-book, and carved out my own little corner of an online store so far this year. Last year I did a little less. A little.

Seventeen of the eighteen "blind paintings" I finished. All of these will be available for an adorably low price at Wizard World Chicago, but they will also be wrapped up so no one knows which painting they're getting. Drawing and painting eight animal and bird skulls in one weekend is not something I advise anyone to do, regardless of how much they used to like painting skulls.

Seventeen of the eighteen “blind paintings” I finished. All of these will be available for an adorably low price at Wizard World Chicago, but they will also be wrapped up so no one knows which painting they’re getting. Drawing and painting eight animal and bird skulls in one weekend is not something I advise anyone to do, regardless of how much they used to like painting skulls.

 

All the printing for Chicago! I do think my Army of Dangers tea towel is my favorite of the five images I've printed on tea towels this year.

All the printing for Chicago! I do think my Army of Dangers tea towel is my favorite of the five images I’ve printed on tea towels this year.

 

Postcard swag.

Postcard swag. After the reception my images received at Wizard World Madison, I wanted to make it more possible to take home my aesthetic and I’m pretty fond of postcards.

Some of the images on these are no longer available in any handmade format… all three Danger Crumples takes over for Christopher Pike paintings went to a good home. And the one of Danger with the white starburst behind him was solely a commission. But! Fear not, anyone who picked up my cute little Merricat with the Zebras record, turned it over looking for a price, and then had to ask me only to recoil in slight shock (I like that one too), I had both postcards made AND posters. The poster is bigger than the painting, but still looks sassy thanks to my friend Rebecca’s skills.  Enjoy McWikken, Army of Dangers, Danger Dixon (not pictured, previously posted), and both Danger Who paintings (“) are also now available in full color posters – I didn’t get very many made, and of course, they are only purchasable in person from my booth at Wizard World Chicago August 18-19-20-21.

AND, to keep going yet longer, I also made several of my images available to be purchased on a variety of things via Redbubble . A link to my profile page is at the bottom of my blog, also on my About page, and I’ll have a more thorough post coming about my store in a few days so I can showcase all the products I think are particularly amusing. Here is a teaser photo –

The real reason I chose to put stuff up for sale besides being asked quite few times if I sold online (I sell handmade things in person, non-handmade online), I can now get Merricat on a throw pillow. And Horace. And Pere. And I can get a guinea pig skull duvet cover. It's ridiculous.

The real reason I chose to put stuff up for sale on Redbubble besides being asked quite a few times if I sold online (I sell handmade things in person, non-handmade online), I can now get Merricat on a throw pillow. And Horace. And Pere. All the throw pillows! And I can get a guinea pig skull duvet cover, or Finny as the antichrist on a duvet cover, or the golden Danger Crumples (not pictured). It’s ridiculous. I could have the weirdest couch decor ever. So could you, gentle reader. So could you.

 

47 Paintings, 8 Silkscreens, 1 Link – Wizard World Chicago profile

For those who cannot come to Chicago and wish to work on the amount of guinea pigs visually available in their home – my Redbubble profile

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Filed under Books, Night of the Squirrels, Uncategorized

YA Megamix Summer III: Season of the Witch

The school year is already over for some people, so, it’s basically summer…of course some of those people are now done with their undergraduate degrees or graduate degrees, so in their case summer means “life anxiety season,” unless they already have jobs. Good luck to those about to go over the precipice of the shocking lack of opportunity, it’s not fun.

Anyway, I’m continuing my tradition of the last couple of years and “reviewing” only older YA books and including one hour long mixtapes I’ve compiled to go with them. This year’s YA Megamix Summer shall be known as the “Season of the Witch” because I will not be reviewing a single book that has a witch in it – just like the Halloween franchise entry – and it’s the third Halloween-associated movie and this is the third summer I’ve done this, and I am in the process of finishing my “John Carpenter’s Guinea Pigs” painting series so I can bring all of it to Chicago in August.

To kick off the Season of the Witch, I’m going to post a mixtape of songs that have been carrying themes and revision-staples for my Squirrelpocalypse Trilogy. Somehow, these never ended up being chapter titles.

Mixtape:
1. Stormy High – Black Mountain
2. Ah! Leah! – Electric Six
3. Ash of the Mind – Agents of Oblivion
4. My Apocalypse – Zebras
5. Homemade – Eighties Matchbox B-Line Disaster
6. My Dreams – Gun Club
7. You Don’t Own Me – Masquer
8. Queeny Gloom Doom – Zebras
9. Restarter – Torche
10. Hold My Hand – UNKLE
11. Down in the Park – Foo Fighters
12. Filled With Fire – Zebras
13. Skogsdotter – Finntroll
14. Holiday in Cambodia – Dead Kennedys

Also, this is Finny. It may not be clear in this picture, but he is a madman. Not a witch.

Also, this is Finny. It may not be clear in this picture, but he is a madman. Not a witch.

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Filed under Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels, Writing, YA Megamix Summer

Did I ever tell you my favorite color was blue?

In the Mouth of Madness is one John Carpenter movie I won’t guinea pig-ify- because it is just too close to home sometimes. As a writer, who has written while watching In the Mouth of Madness, and who writes horror things that could be considered ridiculous under certain circumstances, and who decided that it would be a good idea to finish her Squirrelpocalypse Trilogy before Wizard World Madison started, I can relate to the “Did I ever tell you my favorite color was blue?” scene from both Sam Neill and Jurgen Prochnow’s perspectives. When I finished Night of the Squirrels, I yelled the same way Sam Neill does. And I wanted some Cheetos, if you read it, you’ll be able to tell that I wanted some Cheetos.  I did not have any Cheetos and it was late enough at night that I decided not to go out for some. Such a dilemma.

Anyway, Night of the Squirrels is up and ready for purchasing via the usual ebook retailers, I’m waiting for distribution to finish to a few retailers, and it’s currently easiest to find via my Amazon Author Page (Who knew that title would be so hard to search for? Me. I am a librarian, so I know some searching, but, still, that’s why I also decided to use “Squirrelpocalypse” repeatedly and I should have used it when I printed the first cover…damn the permanence of printmaking!)

It's all three covers together at last!

It’s all three covers together at last! So squirrely.

 

Of course, I’ve also done some paintings and prints related to my series (I have a few sets of all three book covers, several of the Day of the Robots cover, and several of the Night of the Squirrels cover – all in multiple colors) for Wizard World, today is the last day, so…  Merchandising, where the real money from the novel is made!

 

 

I've always been inspired by the WPA posters. Not only because if I was alive during that time period, I would have been angling for a printing job, I'm also just super fond of the typography. This one recreates a scene from Night of the Squirrels. The travel poster, McWikken style.

I’ve always been inspired by the WPA posters. Not only because if I was alive during that time period, I would have been angling for a printing job, I’m also just super fond of the typography. This one recreates a scene from Night of the Squirrels. The travel poster, McWikken style.

 

Another WPA inspired one (oh, and although I am a printmaker, both of my WPA inspired works are paintings), this time in honor of Babette and Louis. Shiny purple!

Another WPA inspired one (oh, and although I am a printmaker, both of my WPA inspired works are paintings), this time in honor of Babette and Louis. Shiny purple!

 

They call her Regan Brite. This one is a silkscreen also available in glow in the dark green. This print was so involved that I barely came away with any to sell - and so I made some postcards of this version. A few.

They call her Regan Brite. This one is a silkscreen also available in glow in the dark green. This print was so involved that I barely came away with any to sell – and so I made some postcards of this version. A few.

 

Will you endure the placement of this link with me, one last time? my profile on the Wizard World site

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Filed under Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels, Writing

Gotta have you on my wall, ’cause-

I love skulls. And bones. At one point I was tempted to call this blog Guinea Pigs, Books, and Skulls because those are the three things that I’m interested in artistically, but at that point I didn’t think I was going to feature my paintings on this blog- Ha.

The four paintings below are going to be available for sale at Wizard World Madison April 8-9-10 ( my profile on the Wizard World site ).

The star painting, I also have prints of my Bye Bye, Li'l Sebastian design.

The star painting of the most important mini-horse skull. I also have prints of my Bye Bye, Li’l Sebastian design.

 

My signature piece, Guinea Pigs are for Life. Now one person can also have a guinea pig skull painting (I kept the first one I did) and about six people can have guinea pig skull prints. Sometimes I don't have very many available because printing is not always a sure thing when you do it all by hand.

My signature image, Guinea Pigs are for Life. Now one person can also have a guinea pig skull painting (I kept the first one I did) and about six people can have guinea pig skull prints – sometimes I don’t have very many available because printing is not always a sure thing when you do it all by hand.

 

This is what a Columbian Ground Squirrel's skull looks like...when I paint it.

This is what a Columbian Ground Squirrel’s skull looks like…when I paint it.

 

The skull of the other mammal I'm regularly associated with, the squirrel. I made its teeth less scary in this painting than the teeth featured in Night of the Squirrels.

The skull of the other mammal I’m regularly associated with, the squirrel. I made its teeth less scary in this painting than the teeth featured in Night of the Squirrels.

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Filed under Dawn of the Interns, Day of the Robots, Night of the Squirrels

Start with a Queen, End with all the Queens

Thus ends the specified “Year of the Ladies.” Although next year starts tomorrow, I’m not clear on whether or not I want to have a theme.

The main thing I know about next year is that I have a lot of art to finish before April.  Another thing I know is that I am both petrified and anxiously awaiting the edited version of the final book in my Squirrelpocalypse trilogy – Night of the Squirrels. I will then revisit it, stare at it wondering what I was thinking, re-write some chunks, probably cry about said chunk re-writing, ask the guinea pigs if they have any ideas about why it turned out so differently than what I planned for the story in 1998 and not get ANY useful answers, and then accept it and rearrange all the semicolons before I format it and put it up with the other two. I finished it this year, on December 5th at 11:53 PM, and immediately wasn’t sure if I liked it. That probably means it’s all right because every single time I finish a book – and I’ve finished two this year, personal best, probably never to be repeated – I’m not sure if I like it. So, I await my cognitive distance and since I like to end with pictures, here are all the sweet little lady pigs that I’ve owned since 2008. Snippiest, most gratuitously disagreeable bunch of cavies ever to exist and I wouldn’t have it any other way.

Murderface and Pickles in Hattiesburg

Miss Murderface and Pickles the Drummer (yes, that Pickles, and her full name is the entire line from the opening credits – that’s a behind the scenes secret you couldn’t get from very many sources).

Sepia toned teddy bear ladies Twiglet and Pammy. So fuzzy. So domineering. But so fuzzy and so good at napping.

Sepia toned teddy bear ladies Twiglet and Pammy. So fuzzy. So domineering. But so fuzzy and so good at napping.

Murderface and the lovely Duncan Hills. I only got to have Duncan for eleven months, but she had the softest ears and the sassiest disposition. She also helped me quite a bit with the planning of Day of the Robots.

Murderface and the lovely Duncan Hills. I only got to have Duncan for eleven months, but she had the softest ears and the sassiest disposition. She also helped me quite a bit with the planning of Day of the Robots.

Merricat and Peregrine, my first non-Mississippi or Iowa born lady pigs. Merricat was frighteningly special and my first lady Abyssinian. She was very small in size, but had a very large bite.

Merricat and Peregrine, my first non-Mississippi or Iowa born lady pigs. Merricat was frighteningly special and my first lady Abyssinian. She was very small in size, but had a very large bite.

Peregrine and Ozma having a mild moment. Peregrine has not been the most friendly of new friends to Ozma, but Ozma's willingness to explore is slowly, very slowly seeping in to Pere.

Peregrine and Ozma having a mild moment. Peregrine has not been the most friendly of new friends to Ozma, but Ozma’s willingness to explore is slowly, very slowly seeping in to Pere.

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Filed under Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels, Writing

Write. Print. Repeat.

Two squirrels! Two robots! So appropriate for the second book of a trilogy.

Two squirrels! Two robots! So appropriate for the second book of a trilogy.

The Guinea Pig-style (Duncan Hills) first edition of Night of the Squirrels: Day of the Robots, sequel to Dawn of the Interns and the middle section of the Squirrelpocalypse trilogy,was initially available on Amazon in May of 2013. Now, in June of 2015 (well, sort of May because it put it up in May, but there are always delays while I wait to see my cover and not a grey box on websites before I say anything), the “Call of the Merricat” second edition is available with its more squirrelpocalypse-appropriate cover and two less typos.  I’ve been told it’s better than the first one – but! – I don’t think that matters unless you’ve read the first one, so maybe it’s an Evil Dead II situation and maybe it’s Gremlins II, there really aren’t enough horror comedies with sequels that remind me of my work, so it’s tough to be sure.

It’s also occurred to me lately that it might be interesting to show my work, at least in terms of how I create my clearly a-mah-zing squirrel covers. I do have a lot to say about cover art on here – that’s because I’m an artist. I use my human brain and hands to write my novels and also to draw and print the squirrel versions of their covers through the bewildering process of silkscreening. Silkscreening is the process of shoving ink through mesh to put images on things, in my case, card stock. In order for the ink to make the images I want it to, I hand paint the mesh of my screens with screen filler.

The dark red business is screen filler. Everything that’s covered with filler will remain the color of the card stock I’m printing on.

The dark red business is screen filler. Everything that’s covered with filler will remain the color of the card stock I’m printing on.

Many people can get their drawings onto their screens much more easily using photographic methods (light and photo emulsion). I can barely breathe most of the time because of my severe allergies and chemical fumes will destroy me very quickly, so I hand paint. It’s, um, not very easy to maintain the level of detail I want because I still only have human hands, but I do my best.

Pre-print Robots, post-print Interns, with discerning critic Danger Crumples. It is possible to remove the designs from screens, it’s called “reclaiming.” I am able to keep my designs on the screens by only washing out the ink when I’m done printing. Cold water takes out the ink, hot water is required to remove screen filler.

Pre-print Robots, post-print Interns, with discerning critic Danger Crumples. It is possible to remove the designs from screens, it’s called “reclaiming.” I am able to keep my designs on the screens by only washing out the ink when I’m done printing. Cold water takes out the ink, hot water is required to remove screen filler.

Once all the screen filler is dry and I’ve held it up to several light sources five million times to check for pinholes that will ruin my feelings while I print, I sort out the paper I want to use (I have to run a veritable shitload of prints when I silkscreen) and get the screen secured into the t-shirt press that hooks onto my coffee table. And then I print. On my knees. I ran this print sixty-one times.

Here’s my print-covered floor and the screen upright in the hinge clamps of my t-shirt press just before I went to wash the ink out of it.

Here’s my print-covered floor and the screen upright in the hinge clamps of my t-shirt press just before I went to wash the ink out of it.

I pretty much throw my prints everywhere there’s space because I need to run the print until the ink runs out, gets too dry, or some sort of blobbiness takes over. I had an ink-thickness issue this time, so I only ended up with twelve great prints and thirty-two mostly good ones. That’s a pretty good ratio considering I haven’t printed anything for over a year and my ink was definitely too thick for all the teeny details I wanted to come through.

Peregrine critiques my print from above.

Peregrine critiques my print from above.

I should mention that I’m leaving out a lot of details about the process of silkscreening, like tool names (squeegee!) and how you should have mylar on hand for proofing and registering your print and other things, so if you want to silkscreen in your living room you’ll need to research actual tutorials. I took silkscreening in college way back in 2003, and I didn’t put enough time into it, but I’m kind of glad I didn’t because of the chemical processes and my lack of allergy treatment at the time. I could have learned I have allergy-induced asthma earlier by passing out in a creepy basement room trying to coat my screen with emulsion, but at what cost? Actually, the cost would be these prints and all the others I’ve done since being able to re-visit silkscreening. Too much. It would be too much. And I retained a large amount of what I learned in that class over twelve years’ time, so…peaches. Of course, the guinea pigs would be much happier if I didn’t do so many things that take my attention away from them. A cost I must pay.

Horace and Danger Crumples don’t think I paid the cost to be the boss.

Horace and Danger Crumples don’t think I paid the cost to be the boss.

Anyway, that’s my cover creation process and if you want to support projects done completely by hand by someone who is nearly extinct because of their allergies or just want to know what happens next in my Squirrelpocalypse trilogy, I will list some linkage below and add to my “About” page. Oh, and since it’s YA Megamix Summer and my chapter titles tend to be song titles, here’s a sixtyish minute mixtape of chapter title songs to go with Day of the Robots:

1.     “Bang!” – The Raveonettes
2.    “Underdog” – Kasabian
3.    “Incubation” – Joy Division
4.    “Be My Wife” – David Bowie
5.    “River Styx” – Black Rebel Motorcycle Club
6.    “Worm Tamer” – Grinderman
7.    “It’s Gonna Be a Long Night” – Ween
8.    “Sistinas” – Danzig
9.    “I Wish This Song Was Louder” – Electric Six
10.    “Retrovertigo” – Mr. Bungle
11.    “Deep in the Woods” – The Birthday Party
12.    “I Think That I Would Die” – Hole
13.    “Running Up That Hill” – Kate Bush
14.    “Dog Eat Dog” – Adam and the Ants
15.    “Heart of Stone” – The Raveonettes
16.    “Cat People” – the Danzig version
Linkage:
Amazon
Barnes and Noble
Smashwords
Kobo
Bol
Itunes

P.S. One important thing, there are several “Rachel Smith”s writing and self-publishing. Accept no substitutes. It can be confusing. I have only published two novels so far, both are pretty clearly linked thanks to that new cover and the adoption of series specification (Night of the Squirrels/Squirrelpocalypse Trilogy) – even that other “Rachel Smith” who wrote an ebook about guinea pigs is not me. I would think that anyone could tell the difference between her writing voice and mine and her cover aesthetic and mine – I just wanted to make sure we’re all clear that she’s not me. And I haven’t written any books on shopping addiction either. Just YA fiction about the squirrelpocalypse thus far.

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Filed under Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels

You’re standing on my neck

It has been sequeled.

Sometimes I don't feel like adding hovertext, like now, when I've lost another job. But I do it.

Heeeeere’s Duncan.

The Guinea Pig-style first edition of Night of the Squirrels: Day of the Robots
It’s the sequel to Dawn of the Interns and the middle section of the Squirrelpocalypse trilogy, and it is internationally available on Amazon right this very second. I said it would be finished in May 2013 and I was not lying or catastrophically impaired, even if I didn’t say anything about it until June.

Verbal trailer (think about “O Fortuna” for trailer integrity or the book’s real theme song, Ween’s “It’s Gonna Be a Long Night,” off Quebec): In a world where things start with “D,” the cover model’s name is Duncan, the title is Day of the Robots, Danger Crumples still exists, I’ve been watching a lot of the show Daria lately and I bought the second season of Deadwood on DVD recently; and Edgar Wright/Simon Pegg/Nick Frost films also involve robots, Day of the Robots now exists to wreak its combination of Gremlins II and Cabin Fever on readers.

It’s gory…and romantic. It’s revolutionarily cynical…and idealistic. There are shiny objects…and decaying furniture. A nose will be lost. One kind of plague will be contained. The responsibilities of a field jacket will be assumed. Origins will be explored. It’s not going to end well because it’s a sequel and the middle part of a trilogy, that’s also why origins will be explored – but you surely already knew that and I won’t call you “gentle reader” because that’s kind of patronizing. Maybe I shouldn’t have said that it won’t end well. “Well” doesn’t always mean what you probably think it means. So there.

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Filed under Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels, Writing

Operation Impending Doom II

It has been updated.

Doomed? Doomed.

Now there’s a squirrel on it! Appropriate rodent!

This is the new cover of Night of the Squirrels: Dawn of the Interns, the first book in my squirrelpocalypse trilogy. I made it myself via my handy printing and drawing abilities. It more appropriately represents the story and the trilogy theme. Here is the previous cover, featuring my beloved Pickles:

Pickles was with me during the initial writing, and the outlining, and so I miss seeing her on Amazon all the time in her seventies horror modeling debut.

Inappropriate but most adorable almost-not rodent!

The Pickles cover is still on Good Reads (I like that color scheme damnit and that’s why I rated it five stars…I also like the other cover so I also rated it five stars, and yes, I am the only one who rated it five stars on goodreads, so maybe that was a silly thing to do…Rachel Shukert, one of my fave authors, did it too so I felt less shame). Anyway, I’m clearly attached to the Pickles cover but the squirrel cover represents the updates that I have made. I haven’t made any gigantic story changes, I did fix quite a few things and now there is more zazz. It’s fitter, happier, and more productive. Or something. It’s also been given a new blurb and appears in many more online purchasing venues, like the Apple store and Barnes and Noble. Humans (non-humans too) who have chosen to not use the Kindle store can now read about the squirrelpocalypse…Finally! I know everyone who reads this blog was worried about that. Very worried.

Also, I don’t want to jinx myself, so I will be as vague as possible… This may also be available so you can hold it in your hands someday, it is closer to being available than it was two weeks ago, anyway. Whee!

Here are links to the various purchase pages (they will also perpetually be available via my About page):

Amazon

Apple Store

And, okay, full disclosure, I did rate it at five stars on itunes too. I got excited that it was on there. Plus I do think it’s good and fun to read, it’s been nearly four years since I wrote it and I technically started the idea in 1998 so I feel like it’s fine to five-star my entrance to the gateway to miscellaneous purchasing known as itunes.

Barnes and Noble

On Good Reads, the B&N link refuses to take anyone to my book. But it’s there, my link is direct. Plus, if you’re into work, title searching will prove Good Reads wrong.

Diesel ebooks

Kobo

Smashwords

Sony ebooks

I couldn’t see the cover yet on the Sony ebook store, but it should be forthcoming. It took B&N forever to put that two color work of majesticness up too.

So ends the shameless self-promotion. Or wait, no it doesn’t. The sequel will be going up (just on Amazon at first) towards the end of this month. It’s called Day of the Robots and it’s like Gremlins II meets Cabin Fever. The first one is like Cabin in the Woods meets Ginger Snaps, if only movie-related comparisons are available. They’re short and effective.

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Filed under Books, Dawn of the Interns, Day of the Robots, Night of the Squirrels, Writing

Now the kids are all standing with their arms folded tight

1. The Mummy – Caroline B. Cooney

Welcome to the year of potential unluckiness! 13! So my year has started off weird, at least, when I returned to the Great White North (per se) from Mississippi it got weird and it’s only been six days so I haven’t sorted through how confused I am about the weirdness. That’s vague. Moving on, this book was also somewhat confusing in that I kept wanting to know when the story was actually going to start. Emlyn wants to do bad things, in fact, she seems like the kind of girl who would pop in a tape of Chris Isaak’s “Baby Did a Bad Bad Thing” while driving in order to seem more edgy. She steals a mummy from the local museum as part of an attempt to be edgy and bad and also to get some group of malcontents to be her friends…but then…they disagree about whether or not they should unwrap the mummy and steal her gold! Sounds thrilling, doesn’t it? Well, I was expecting slightly more thrilling actions. The whole description of tensely stealing the mummy and tensely trying to get out of the museum during a fundraising event was not tense enough to justify me using that word to modify in the early parts of this sentence. In fact, the furrowing of a brow while trying to figure out what the hell I just said would be more tense. And I was a little surprised. I expect more from Ms. Cooney as I know she’s done some great work, but I’m on the outside on this one.

In other, non-relevant to this review but relevant to teen literature (sort of), news, that book I mentioned that I wrote at the end of last year ( Night of the Squirrels: Dawn of the Interns ) that begins my squirrelpocalypse trilogy and will have a sequel out by the end of May…is free for five days starting today. Of course, it’s only on the Kindle thus far and when I looked to see if anyone was interested in it right now it was number 13 in the Teen Literature & Fiction category of the Kindle store. Very specific category, I know, and it surely has dropped in popularity by now, but I’ve never advertised it anywhere but on here nonsensically or if you saw me in person and it came up. That’s a relatively rare occurrence. I didn’t even talk about how bleakly humorous it was while playing Cards Against Humanity after Christmas with other real humans, so, you know I’m very slow about trying to sell out hard. Hey, this is almost as long as my review! How rude to the more successful author.

Pickles knows that the people who are reading my book are in that closet, in the portal to an alternate dimension where I know how to market properly.

Murderface! And Pickles. End the year with Murderface being confrontational, start the next one with Murderface’s noncommittal expression and all will be magnificent.

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Filed under Books, Dawn of the Interns, Night of the Squirrels, Review, Writing