Tag Archives: England

“On the business end of a beam of despair”

4. Them or Us – David Moody

Welcome to the post-post-apocalypse, where if you can’t get your mental shit together, you’re doomed. Then again, you always were doomed, even if you could get your mental shit together because there’s some probably tiny handed dictator waiting to only give you food if you’re fittingly sycophantic and brutal. Sheesh. How do these people gain power? Oh wait, regardless of country, sometimes they get voted in.

Them or Us is a fittingly bleak and mildly brutal end to the Hater trilogy, set in Lowestoft, and yet, The Darkness’ fate was not mentioned. I assume Justin and Dan and co. are fine and were in a bunker when the bombs fell – after all, bombs are really only supposed to fall on Slough, isn’t that how the poem goes?

It was the coming of the …Belvedere. Damnit, too many syllables, and “Bel Bel” just doesn’t have the same ring as “Black Shuck.” He was certainly “a curious beast” though. Oooooooh.

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I still get twitchy about the question: “Who’s got my golden arm?” It’s probably why I don’t really care for precious metals.

48. Long Lankin – Lindsey Barraclough

Every once in a while, less so nowadays, someone creates (or illustrates, damnit, Stephen Gammell) a story for young people that will scare them half to death. It will stick in the back of their minds, jumping to the surface when they hear a noise, see a creepy tree, or are walking all alone, late at night, past a graveyard. Long Lankin is a scary fucking book. Reading it made me jumpy and paranoid during the daylight and frankly, a story about post-World War II era British children and folklore should not have managed to accomplish that task. The last thing that made me that jumpy was The Blair Witch Project (saw it in the theater, pre-most of the hype or at least I had no access to hype, didn’t think it was real though, still scary. No corners).

There’s a level of scarcity and secrecy in Long Lankin that just puts a damper on the mood and pushes it into a murky, stifling place. Children aren’t allowed to know what they need to know and there’s an exciting amount of dramatic tension at play as a result. Another contributor to the effectiveness are Barraclough’s lush descriptions. She does an excellent job describing how rooms feel when the windows have been nailed shut for years and I can even feel my breath hitch thinking about the stale air (of course, as an allergic-asthmatic, that’s always going to be a sticking point of terror for me). And that classic British damp is ever-present, rotting away the shingles and leaving room for creepy beasties to get through.

The one thing that didn’t work for me was the ending, but it’s quite the journey to get there, so overall it’s a worthwhile read.

Pickles dramatically reenacts my experience reading Long Lankin. Did you hear that?

Pickles dramatically reenacts my experience reading Long Lankin. Did you hear that?

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